New Work | 2022
 
"Karenin on Punctuality," "Karenin on Hearing You Gasp as the Horse Falls," "Karenin on Meeting Your Lover in the Foyer,"
"Karenin on Making Do" & "Karenin on Convenient Ends" | MORIA
"Ammil" | Opt West
"Haugr" | RHINO
"Light Moving Unscattered" | Wild Roof Journal
"Breakneck, Brokeneck" | Passengers Journal
"Where, Once, Stars Could Be Seen" & "Near the Field with Stephanie" | Sequestrum
"Notes after Procedures" | From the Waist Down: the body in healthcare | Papeachu Press
"Gradually but Steadily Dropping" | Blood Tree Literature
"Watching CNN without Sound in the Hotel Lobby Bar" | Sugar House Review
| Featured at Verse Daily, August, 2022 |
| Featured at Portside, October, 2022 |
"Climbing down the Inner Rope" | Radar
"Glacial Surging" & "Plummet" | The Champagne Room
"Early October, Tennessee or What Does and Doesn't Resemble" | Divot
"Lan" | The Vassar Review
"My Mother as Anticlea, Upon Forgetting" & "Deep Sleep" | Sweet Lit
"Errors in Shape" | The Meadowlark Review
"Lines and Phrases" & "Pain: Every 4 to 6 Hrs" | Court Green
"Correspondence" | Bodega
"Hart Island" | The Hart Island Project
"Thoughts on Wind and Autumn Leaves" & "Harvesting" | The Normal School
"Image of Tau Tangles in the Brain" | West Trestle Review
"Painting on the Lead," "Ablation" & "The Discernible and Hidden" | Lucy Writers
"Riding Several Horses" | Heron Tree

Select Poems | Online

"Sky Disk as Window" | Random Sample Review
"Dream of the Rarebit Fiend" & "Hanging at Valley View Mall" | Midway Journal, Here & Here
"Misspoke" | Orange Blossom Review
"Walking Centralia" & "Reservoir" | Bear Review
"Oblivescence" | The Rupture
"Talking of a Kind" & "Wool as Gatherer, or Seven Years" | The Shore
"Speaking to the Dead German Nun with Ultramarine in Her Teeth" | Barely South Review
After Eva Hesse's Tomorrow's Apples | Longleaf Review
"Horses in Pompeii & Elsewhere" | Off the Coast
"The Third Gravitating Body" | Halfway Down the Stairs
"Of the Trail that Goes in the Direction We Find Ourselves Going" | Juked
"Painting the Blackboard, or Writing" & "Drawing in Bolsena, or Writing" | The Ekphrastic Review
Here & Here
"Peter Menzel’s Photo of the San Andreas Fault, Carrizo Plain" | DMQ Review
"Of Windows and Resting at Age Four" & "Back & Forth" & "Of Two Directions, Once" | Empty House Press

Select Poems | Print

"Only Somewhat Sleeping" | The Massachusetts Review
"Mnemosyne" | The Pinch Journal
"From the Mouth of, Down" | The Tusculum Review
"The Salt in the Pudding" & "The Lesser Snow Goose" | Delmarva Review
"Things My Mother Said to Me in Stage 5 Alzheimer's" | Mom Egg Review
"Hurricane Ophelia and What Carries" | Chiron Review
"Catalpa speciosa" | The Carolina Quarterly

Nominated Pieces

"Associative Thoughts on an Image of the Forest at Sandarmokh" | Peatsmoke | Best of the Net
"In Search of the Nordmann's Greenshank" | The Summerset Review | Best of the Net
 "To Marie Antoinette, from a Woman Who Prefers Cremation" | Sweet Tree Review | Best of the Net
"After Eva Hesse's Two-Handled Orange Keyed Utensil | Emrys Journal | Best of the Net
"The Anatomical Venuses: Clemente Susini & Wax"  | Menacing Hedge | Pushcart Prize
"On Cells Renewing, or Not" | Sweet Tree Review | Pushcart Prize
"Cast, Credited and Not" | apt | Best of the Net

Prose

"The Things Adjuncts Carry" | McSweeney's Internet Tendency
"Teresa: Saint & Otherwise" | Five on the Fifth
"Phase Three of Baz Luhrmann's Red Curtain Trilogy" | Cleaver

Interviews & Press

The Massachusetts Review
The Champagne Room Journal
The Rappahannock Review
The Spectator