2021
"Only Somewhat Sleeping" | The Massachusetts Review
"Misspoke" | Orange Blossom Review
“The Empty Galvanized Metal Tub Considers Preceding,” “The Elephant Grows Weary of This Particular Passage”
& “The One Birch Tree Pleads for Mercy in Cake Toss” | The Ekphrastic Review
"Walking Centralia" & "Reservoir" | Bear Review
"Associative Thoughts on an Image of a Street in Rio de Janeiro" | Rathalla Review
 "Things My Mother Said to Me in Stage 5 Alzheimer's" | Mom Egg Review
"To Marie Antoinette, from a New Mother Who Didn't Get to Stay in Bed 18 Days after Giving Birth" | So to Speak
“Song for the African Scarabaeus zambesianus”  & “The Calliope Hummingbird Speaks of  Overlooked Flexibility” | Canary
"To Marie Antoinette, from a Girl Only One Half Catholic"
& "To Marie Antoinette, from a Girl Who Wore Her Prom Dress Two Years Running" | Sweet Tree Review
"To Marie Antoinette, from a Teenage Girl Who Rarely Wore Makeup"
& "To Marie Antoinette, from a Woman Who Mourned the Loss of Time, Too" | The Hunger
"Oblivescence" | The Rupture
"Blue Holes" | The Virginia Normal
"Lessons in Ghosts and Ghost Ships" | Milk and Cake's Dead of Winter anthology
"Peat Bogs, Burning" | Grey Sparrow Journal

Select | 2020
"Talking of a Kind" & "Wool as Gatherer, or Seven Years" | the Shore
Six poems | After the Pause
"Speaking to the Dead German Nun with Ultramarine in Her Teeth" | Barely South Review
"To the Martin Boys, Who Taught Me How to Cuss" | Noctua Review
"After Eva Hesse's Tomorrow's Apples" | Longleaf Review
"Horses in Pompeii & Elsewhere" | Off the Coast
"The Smallest Bag Speaks Prior to Opal's Departure" & "The Dinghy Mourns Millie Replacing Its Oars, but Recovers" | Sou'Wester
"On the Screen, Only Somewhat" | SWWIM
"The Third Gravitating Body" | Halfway Down the Stairs
"To Marie Antoinette, from a Woman Who Loved to Read," "To Marie Antoinette, from a Woman Who Loved the Look of a Sparse Room" & "To Marie Antoinette, from a Woman Who Prefers Cremation" | Sweet Tree Review
("To Marie Antoinette, from a Woman Who Prefers Cremation" nominated for Best of the Net)
"Teresa: Saint & Otherwise" | Five on the Fifth
"For Fire Moss (C. purpureus)" & "For Paper Birch (Betula papyrifera)" | the Carolina Quarterly
"Horses & Not Being Saved" | Small Orange Journal
"After Eva Hesse's Two-Handled Orange Keyed Utensil" | Emrys Journal Online
(Nominated for Best of the Net)

Select | 2019
"Ersatz Light in the Sky" | Chiron Review
"The Ant & the Peony" | Atlanta Review
"Of the Trail that Goes in the Direction We Find Ourselves Going" | Juked
"Mnemosyne" | the Pinch Journal
"Petrichor" | the Citron Review's 10th Anniversary Anthology
"Peter Menzel’s Photo of the San Andreas Fault, Carrizo Plain" | DMQ Review
"A Room Large Enough for" | the Indianapolis Review
"Dear Mr. Someone Something" | Atticus Review
"Of Windows and Resting at Age Four" & "Back & Forth" & "Of Two Directions, Once" | Empty House Press
"Note from Fantine to Her Daughter, Cosette" (4 & 5) | MORIA
"Associative Thoughts on a Staining Image of the Thirst Integration Center in a Mouse's Brain" | RHINO
"All That Speaks of Bioluminescence" | Permafrost
"The Alpha Privative" | Sooth Swarm Journal
"The Anatomical Venuses: Clemente Susini & Wax" & "The Anatomical Venuses: The First Demountable Speaks"
& "Contained Escape on Display" | Menacing Hedge
("The Anatomical Venuses: Clemente Susini & Wax" nominated for a Pushcart Prize)

Select | 2018
"Anna Atkins's Blue" & "Talking to Natalia Molchanova" | Gravel
"All This Was Fields in My Day" | Split Rock Review
"Quader" & "Rimous" & "Yare" | Salt Hill
"Hurricane Ophelia and What Carries" | Chiron Review
Perihelion | Gone Lawn
"Sea Smoke / Euphemisms" | Nixes Mate Review
"Magic Trick #1" & "In Complaint of Gray Eyes" | pamplemousse
"Poppy" | Blood Tree Literature
"On You Shaving Every Morning" & "On Geraniums" & "On Cells Renewing, or Not" | Sweet Tree Review
("On Cells Renewing, or Not" nominated for a Pushcart Prize)
"Catalpa speciosa" | the Carolina Quarterly
"Perceived Distance" | Pacifica Literary Review
"Lake Superior II" | Rappahannock Review
"The Things Adjuncts Carry" | McSweeney's Internet Tendency
"Painting the Blackboard, or Writing" & "Drawing in Bolsena, or Writing" | the Ekphrastic Review
Here & Here

2017
"Nostalgia for Wonky Teeth" | Off the Coast

2016
"Phase Three of Baz Luhrmann's Red Curtain Trilogy" | Cleaver
"Cast, Credited and Not" | apt
(Nominated for Best of the Net)