2020
"Mirrors and Archibald George Barnes's Contemplation" | the Virginia Normal
"To Marie Antoinette, from a Woman Who Loved to Read," "To Marie Antoinette, from a Woman Who Loved the Look of a Sparse Room" & "To Marie Antoinette, from a Woman Who Prefers Cremation" | Sweet Tree Review
"Teresa: Saint & Otherwise" | Five on the Fifth
"Rewilding of Tidmarsh and Beyond" | Best of Halfway Down the Stairs
"What Wind Can" & "Bone of" | Gone Lawn
"Not to Go the Way of the Lowest of the Solomon Islands" | Alternating Current's anthology Undeniable: Writers Respond to Climate Change
"Response to Georgia O'Keefe's Light Coming on the Plains" (No 1, II, & III) | Bitterzoet Magazine
"For Fire Moss (C. purpureus)" & "For Paper Birch (Betula papyrifera)" | the Carolina Quarterly
"Horses & Not Being Saved" | Small Orange Journal
"After Eva Hesse's Two-Handled Orange Keyed Utensil" | Emrys Journal Online

2019
"Ersatz Light in the Sky" | Chiron Review
"Clamor of Spring" | Green Briar Review
"The Ant & the Peony" | Atlanta Review
"Maud Stevens Wagner, Tattoo Artist, Speaks of Transformation" | Whistling Shade
"Elegy for Iridium Flares" | Tilde
"Of the Trail that Goes in the Direction We Find Ourselves Going" | Juked
"An App & Stephanie" | the Avalon Literary Review
"Mnemosyne" | the Pinch Journal
"Shismaref and Milroy" & "When Water" | saltfront: studies in human habit(at)
"Petrichor" | the Citron Review's 10th Anniversary Anthology
"Peter Menzel’s Photo of the San Andreas Fault, Carrizo Plain" | DMQ Review
"An Egg Buried, Here" | Arcturus
"Dear Mr. Someone Something" | Atticus Review
"A Room Large Enough for" | the Indianapolis Review
"Summer Branch Drop / Sudden Demise" | Heron Tree
"From Here, There" & "Where Once a Field and a House, Now" | Cold Mountain Review
"Cam at Seventeen" & "Drunk on Berries" | Kettle Blue Review
Here & Here
"What Evolves" | Quiddity
"The Roses at the End of" | A-Minor Magazine
"Cucurbita moschata" | LEVELER
"To Answer in the Affirmative re: Distinguishing Marks" | Pacifica Literary Review
"Francesca Woodman Speaks from MacDowell Colony, 1980" & "Francesca Woodman Speaks from New York, 1980" | the Ekphrastic Review
"The Round House of Love, and Not" & "Still Life: Mother with Child and Dog in Car" & "Thoughts On Staircases" | Inscape
"Of Windows and Resting at Age Four" & "Back & Forth" & "Of Two Directions, Once" | Empty House Press
"Redrawing Various Maps" | the Nassau Review
"Sissinghurst" | Rockvale Review
"Note from Fantine to Her Daughter, Cosette" (4 & 5) | MORIA
"The Anatomical Venuses: Three Slashed Beauties" | Stirring
"Associative Thoughts on a Staining Image of the Thirst Integration Center in a Mouse's Brain" | RHINO
"All That Speaks of Bioluminescence" | Permafrost
"The Alpha Privative" | Sooth Swarm Journal
"Childhood Amnesia" & "Particles & Matter" | After the Pause
"Brinicle 'Finger of Death'" | Plainsongs
"The Anatomical Venuses: Clemente Susini & Wax" & "The Anatomical Venuses: The First Demountable Speaks"
& "Contained Escape on Display" | Menacing Hedge
("The Anatomical Venuses: Clemente Susini & Wax" nominated for a Pushcart Prize, 2020)
"Breakage" | Heron Tree
"Bell on Knee" | SWWIM

2018
"No Scent of Roses" & "Chromesthesia" | the Summerset Review
"For Jerry Hall, Startled, in the Car" & "For Kate Moss in the Car with Johnny" | TAB: The Journal of Poetry & Poetics
"Anna Atkins's Blue" & "Talking to Natalia Molchanova" | Gravel
"On Deadwood and Seeing Enemies Where There Are None" & "On Deadwood and Widows and Wanting" | FreezeRay
"All This Was Fields in My Day" | Split Rock Review
"Petrichor" | the Citron Review
"Quader" & "Rimous" & "Yare" | Salt Hill
"Plastic Debris, Borne" | Canary
"The So-Called Northern Sea Route" | the Wayfarer
"Perihelion" | Gone Lawn
"Scenes from an Ideal Marriage" | the Ekphrastic Review
"Something of the Sockeye Salmon. Or: Desire" | Turtle Island Quarterly
"Hurricane Ophelia and What Carries" | Chiron Review
"Magic Trick #1" & "In Complaint of Gray Eyes" | pamplemousse
"Sea Smoke / Euphemisms" | Nixes Mate Review
"Of & to British Butterflies" | Folded Word
"Poppy" | Blood Tree Literature
"Isle de Jean Charles" & "Fukushima and Other Departures" | Construction
"Rewilding of Tidmarsh and Beyond" | Halfway Down the Stairs
"The Quickening of Salmon & Years" | Folded Word
"On You Shaving Every Morning" & "On Geraniums" & "On Cells Renewing, or Not" | Sweet Tree Review
("On Cells Renewing, or Not" nominated for a Pushcart Prize, 2019)
"Catalpa speciosa" | the Carolina Quarterly
"Perceived Distance" | Pacifica Literary Review
"Lake Superior II" | Rappahannock Review
"The Things Adjuncts Carry" | McSweeney's
"Instructions for Henderson Island" & "River Thefts" | Kestrel
"Painting the Blackboard, or Writing" & "Drawing in Bolsena, or Writing" | the Ekphrastic Review
Here & Here

2017
"Antarctic Moss" | the Summerset Review
"The Great Shearwater" | Folded Word
"Nostalgia for Wonky Teeth" | Off the Coast

2016
"Phase Three of Baz Luhrmann's Red Curtain Trilogy" | Cleaver
"Cast, Credited and Not" | apt
(Nominated for Best of the Net)

Forthcoming
"On the Screen, Only Somewhat" | SWWIM
"Horses in Pompeii & Elsewhere" | Off the Coast
"The Smallest Bag Speaks Prior to Opal's Departure" & "The Dinghy Mourns Millie Replacing Its Oars, But Recovers" | Sou'wester
“For the Black Bearded Iris (I. croatica)” | MockingHeart Review
"To the Martin Boys, Who Taught Me How to Cuss" | Noctua Review
"To Marie Antoinette, from a Girl Only One-Half Catholic," "To Marie Antoinette, from a Girl Who Wore Her Prom Dress Two Years Running," | Sweet Tree Review
"Blue Holes" | the Virginia Normal
"Only Somewhat Sleeping" | the Massachusetts Review